Based heavily on user feedback, SketchUp polished up a few features that will keep your workflow humming along smoothly!
Freshening up SketchUp Pro
Scenes Panel. Now that you’ve had some time to enjoy better toggling visibility with hidden geometry and objects, this feature just got even better. Hidden geometry and hidden objects are now split up so you can select and save them separately on a Scene-by-Scene basis. You will see a new checkbox in the Scenes panel that lets you save the visibility state of hidden objects, not just hidden geometry. This gives you better visibility control per Scene.
Section Planes & Scenes. In the new version of SketchUp, you can save Section Plane visibility in every Scene. Since Section Planes are grouped with objects, we want to make sure they behave like objects. What’s the value here? Before this change, only top-level visibility could be saved per Scene. Again, more control in your Scenes — and consistency across the functionality.
Hidden objects are now editable. Editing invisible things might sound like a superpower, but it’s really just a great new feature in SketchUp Pro. When you select a hidden object in Outliner, it will now appear as a mesh. This means that you can make more precise edits to hidden objects with ease. Check out this Quick Win to see how it’s done.
Improvements to Grips. You can now cycle through ALL Grips of an object when using the Rotate tool — just like the Move tool! This provides a more instinctive modeling experience while switching in between the tools.
Empty object. Picture this: you are working up a new table design and quickly model a lamp to make it look more realistic — but oops! — you did it too fast and forgot to group your lamp and table separately. Now, everything is glued together, creating editing reworks and wasted time.
The solution? Now, you can create a grouped object or component by right-clicking on an empty space. No more triple-clicking to select and then group, or drawing it elsewhere just to place it where you want it. Pro tip: you can also use the ‘G‘ shortcut to create a new component and speed up your workflow. (Shortcut win!)
One last added bonus! When you create a new component from scratch, a window will immediately pop up allowing you to name it. Say hello to a better model organization.
Performance improvements in LayOut
This release focused on improving LayOut’s deletion and selection capabilities. Read as: they’re much faster now!
Improved Select Tool
Make intentional — not accidental — moves with your crossing and window-selection workflows. Now, when you click-drag to create a crossing or window selection, you won’t mistakenly move anything. If you’ve encountered this, you know what we’re talking about… and you’re welcome!
If you’re wondering, “how do I move an object now?” — just pre-select an entity and move from there. Also, selections and moves now occur when clicking on the actual object, rather than the object’s bounding box, strengthening that intentional workflow.
Download the new version, play with the latest improvements, and let us know what you think. As always, we will be there listening, responding, and getting great ideas for new updates. See you on the Axis!
All of the 2020.1 features are available to Classic license users with active Maintenance & Support, and active SketchUp Pro and SketchUp Studio subscription users. Upgrade today to start using new features!
https://aeco.space/wp-content/uploads/2020/04/2020-launch-F-Image.png460918Lalka Nikolovahttps://aeco.space/wp-content/uploads/2018/12/3d_aeco-TRANSP.pngLalka Nikolova2020-05-01 06:39:342020-05-01 06:39:38User-friendly updates to SketchUp Pro 2020
To our SketchUp community: our hearts go out to everyone affected by COVID-19. We’ve all had to make adjustments to keep our communities safe, and we are here for you while you’re at home and adapting. We’ve rounded up our top 10 learning resources that you can take advantage of while you #OrbitFromHome.
Check out our ten ways to take advantage of the time spent social distancing:
Learn the SketchUp fundamentals from this self-guided course. Reminder: it’s free and subtitled in more than 100 languages!
*BONUS!* Share how you’re staying inspired over the next few weeks by tagging your designs with #OrbitFromHome for a chance to be featured on our social channels!
Whether you’re using your free time to become more proficient & efficient at SketchUp, getting workflow tips from other SketchUp users, or leaning on your love of design during these times, we hope you’re staying healthy and taking care of yourself & your loved ones.
https://aeco.space/wp-content/uploads/2020/04/Orbit-F-Image.png460918Lalka Nikolovahttps://aeco.space/wp-content/uploads/2018/12/3d_aeco-TRANSP.pngLalka Nikolova2020-04-30 06:52:272020-04-30 06:52:30Orbit From Home: 10 at-home learning resources from SketchUp
Ten years ago, Icons of Denmark established itself as a distributor of Danish furniture for the U.K. market. Since then, they’ve been hard at work evolving from representatives of Danish design to creators of it. Through their unique market-led approach, they’re bringing Danish design to the modern office…one sleek sofa at a time.
Tell us about Icons of Denmark’s background.
Icons of Denmark started as quite a traditional furniture agency, representing Danish furniture brands for the U.K. market. We’ve always had a hands-on approach to representing furniture and pride ourselves on being very knowledgeable about our products. We have a high level of technical know-how for how the furniture can be used, what sorts of applications the furniture has, and certain activities in an office where the furniture has relevance.
That approach led us into product design and manufacturing. We’ve taken what we’ve learned in the market and now work with Danish designers to come up with new furniture for the modern office.
We engage with an international client base who we keep up-to-date with Danish design and furniture through products we produce. Our projects are primarily large-scale commercial projects.
How did you transition from representatives of Danish design to creators of it?
When the furniture designers we represented decided to launch new products, we were required to go out to the market and sell. This work didn’t always reflect what we thought of the product and it’s usability in the marketplace…which got a bit old for us.
In 2016, we took the first steps to create our first product. We were able to brief a Danish designer and manufacturer on how we wanted a sofa to be made, which became the first example of how we create furniture today.
How is your approach to creating new products unique?
The way we design furniture today is extremely market led. When we got started, there was a lot of residential products being brought to the workplace environment. Contrastingly, we consider specific workplace needs and create designs based around those.
Our process starts with identifying gaps in the market: we notice a certain need or an area of a project that we repeatedly don’t have the right products for. We bring that brief back and collaborate with designers and manufacturers to come up with the new product. That’s what sets us apart from many other firms. We are in no way led by product designers. We are led by the needs of interior designers and clients.
For example, the most recent area we identified is banquet seating. Banquet seating is something that is often designed bespoke for each project. We identified this as an area for a new product. Since we have become very experienced in sofa making and upholstery work, we decided to dip into this category.
To create this new type of sofa, we started drafting in 2D first, agreeing on certain dimensions and concepts. This was then further developed as a 3D model that was eventually built at our workshop in Denmark. After we create a prototype, we go back to the drawing board to refine the 3D model and finalize the piece—working out the final details such as stitching and leg position. This is the process we used for our new product, BANK, which we debuted at Clerkenwell Design Week this year.
What was your first experience using SketchUp?
My first encounter with the product was in 2007 selling furniture for a Danish manufacturer. I came across the software through an architect. I was quite excited about it so I started promoting the tool among furniture dealers as a potential tool they could configure our products in.
When I moved to London in 2009, one of the first things I did was to upload our models to 3D Warehouse and start using the platform as an integral part of our selling process. The user friendly aspect of 3D Warehouse and SketchUp Pro itself enabled me to convert all of our DWGs into SKP files and make them more publicly available.
We quickly found that we were gaining a huge following and considerable number of downloads on these products. Ten years later we are still using the platform to upload and share our models.
SketchUp is a tool that we use in three different categories of our business: product design, configuration, and interior design.
Can you talk about your showroom and the products in it. Were any of these designed in SketchUp?
We work with many product designers. At the moment, we are working with one designer who develops his designs in SketchUp, Peter Barreth. Trained as an upholsterer and sofa builder, he is a self-taught user of the product. of SketchUp is a tool that he has found convenient and fast to work with.
The Private Sofa was one of the first solutions created under the Icons of Denmark brand by Peter. That product was based on a few very basic principles about comfort, seat height and flexibility of sizing. The process started with 2D drafting. 3D models were created in SketchUp from those initial ideas. Once the first prototype was built in Denmark, we sent it to our showroom in London.
We used that prototype to get market feedback and understand what else needed to be done to refine the function and form before we brought it to market. It was almost a year later that The Private Sofa was actually born as a complete product from our research and development with London’s commercial interior design community.
Where do you see the most value from SketchUp?
Most of our product designs are available in various sizes and finishes that can be configured to a client’s specific project.
When we started selling meeting tables for example, we realised it’s an advantage to allow clients to choose their own size. We can visualize and configure the tables from our existing design to match the clients’ needs exactly. This is where we use SketchUp everyday. Our ten-person sales team all use the product.
The Forum Table series comes in a variety of table top sizes and colours for the frame and edge.
Since our products can be made to size, we communicate details such as positioning of the legs, the split of tops in a table and the integration of power. If the client wants a specific edge detail, we can visualize that. That has to be visualized quickly for us to get the commitment from our clients and so that we’re all in sync. Our table Forum, for example, has a fairly simple geometry which lends itself to fast customisation in the product. We can redraw these tabletops very easily to fit the customer’s sizing.
We send those drawings back to our producers in Denmark when we are placing the orders. This allows us to sync very quickly with the producers and manufacturers before an order gets placed. That’s actually where we find the biggest value of SketchUp for our business.
You mentioned that Icons of Denmark contributes to the interior design piece of a project. What does that workflow look like?
We’re very often being invited to pitch our products in cooperation with an architect. Similarly, sometimes we collaborate when the architect needs some inspiration for a certain setup and that often requires a fast turnaround time.
Here, SketchUp allows us to play a part in the designer’s work by not just pitching a sofa, but actually pitching a full configuration of our furniture and visualizing it together with our collaborators’ proposals.
In this instance, we would be taking a brief from an interior designer or architect, suggesting some ideas for the space with our products, and preparing a proposal for the space’s layout. This doesn’t just show our individual products but shows how the products will work in situ on a larger scale.
When it comes to interior design, I think that’s where some of our products really come into their own. For example the EC1 sofa is a modular sofa. You can play with the different pieces of this product, changing them around based on the space that you’re in.
And this is just as important to us as the previous two ways I’ve mentioned we use the product. You want the product in a certain size but you also want it in a certain shape and positioning. I think that’s why the EC1 has proven to be one of our most popular products on 3D Warehouse.
How do you collaborate between different design tools on your team?
Aside from our sofa line, our other product designers work in SolidWorks. Regardless of the product designers’ workflow, this all feeds into DWG files, which makes it possible for us to work off of a format that we can read and make sense of quickly.
That’s again where SketchUp becomes the common ground. We always ask our product designers who are working in SolidWorks to give us a DWG model. We can then work to create SketchUp models for sharing via 3D Warehouse or use ourselves when we configure or use the products in situ.
For exporting, it’s extremely handy for us that we can instantly create DWGs either as 2D or 3D files of the products that we design from scratch. SketchUp provides us with a compatibility advantage across all of the stakeholders we work with.
About Icons of Denmark Since their foundation in 2009, Icons of Denmark have become known as the London home of Danish Design for commercial interiors. Committed to bringing the very best of Danish design to the commercial interiors market in the UK and beyond, Jesper and the Icons of Denmark team work closely with a circle of talented designers and craftsmen who hold a deep fascination for refined beauty, natural materials and functional design that the Danes pride themselves upon.
https://aeco.space/wp-content/uploads/2020/03/3.png460918Lalka Nikolovahttps://aeco.space/wp-content/uploads/2018/12/3d_aeco-TRANSP.pngLalka Nikolova2020-03-09 08:16:362020-04-08 19:54:05Workplace furniture design: the Danish way
David Daniels heads up Starbucks’ America East design teams, overseeing over a hundred designers across New York, Chicago, Miami, Dallas, and Latin America. David and his team have executed over 1,400 major Starbucks renovations and new builds in 2016 alone. As well as being a passionate (and productive) designer, David is also a SketchUp aficionado, so I was thrilled to talk with him about his approach to design and decision-making at Starbucks.
Hello David… Care to introduce yourself and your team to the SketchUp community?
Sure. I’m an architect and the Managing Director of Design at Starbucks and I look after our teams and projects in the America East region. I learned SketchUp years ago from a guy from Kathmandu and I’ve been using it on projects ever since. As time’s gone on, I’ve moved more into leadership, but I’ll still play around in SketchUp developing concepts and carrying out massing studies.
The Starbucks design studios are cooking with SketchUp. If you walked through, you’d see about thirty designers working on different projects that look completely unique. We’re the biggest SketchUp fans; seeing my teams tweak SketchUp’s style palette to infuse their own flavor into the renderings has become a really fun part of the design process for me.
How did your team get going with SketchUp?
At one point I was working out of the Miami office and there were a handful of designers, including myself, who worked on high profile flagship stores. We used SketchUp for design and rendering, but not everyone did.
As a design leader, part of my job is to review and approve designs. I’m looking at a lot: this year alone my team has executed over 1,400 designs, and I have to review them quickly.
Some folks brought me black and white wireframes or two-dimensional visuals. This made me uncomfortable because it meant I would be putting my stamp of approval on a store, palette, or look that I had to try to construct in my head with no visual proof of how it would really go together. At that point we started to insist that everyone use SketchUp to model and paint in textures and surfaces so that I could approve designs with more confidence and authority.
The shift to SketchUp kicked off in the Miami studio where one of my senior designers led the effort. Since then, the Miami studio now designs more collaboratively, hosting a design charrette every week where they get together with their computers and a big monitor. They co-author five or six core stores in a day, figuring out the spatial design, palette and flavor, all within SketchUp. In the days where everyone was using different software, it was impossible to do this.
After testing the workflow out in this office, we got the entire Latin America studio using SketchUp, and then New York and Dallas shortly after. Over the past year and a half, we’ve been able to roll this out across the four offices I oversee. I’ve found that once my designers learn SketchUp, they genuinely have a lot of fun using it over other software. SketchUp has unlocked latent talent in our up-and-coming designers.
How does this get you closer to the finished product?
Our architects carry out site surveys and create the building shell in Revit. We export this model into SketchUp and carry out all of the interior architecture design in SketchUp. This includes refining the colors, materials, furniture, fixtures and fittings. We create a beautiful three-dimensional schematic design which we then hand over to our Architects of Record (AoRs). That’s what we give them to create the construction packages.
Every store is extremely special to our brand and to our customers: it’s their ‘third place,’ a space where people can sit and stay, or shop and learn. We aim to find the sweet spot between being brand-appropriate and being locally relevant so that the store feels right for that neighborhood, or the building that it sits in, or that part of the city.
And because the parameters are different every time, it means that each store has to be unique, right?
Exactly that. Within the stores, we have some simple principles that are really important for us. When we find a building, I think it’s really important to work with the bones of the space. So if the space has brick walls, or some surfaces that are distressed, or it has some great exposed trusses in the roof, then we want to celebrate the envelope, not cover up a bunch of stuff. This shell provides an envelope that hosts the hero of the space: the coffee bar.
“Where the bar sits, what it looks and feels like, the sight lines to and from it, how it’s lit, are all very important. We invest a lot of time into ensuring it’s like a finely crafted piece of furniture because it is the grand stage where we create “coffee theatre.”
Where the bar sits, what it looks and feels like, the sight lines to and from it, how it’s lit, are all very important. We invest a lot of time into ensuring it’s like a finely crafted piece of furniture because it is the grand stage where we create “coffee theatre.”
Your new store at 10 Waverly Place would be a case in point. What’s your favorite bit in this design?
10 Waverly Place is a reserve bar which means it’s a special store with an elevated coffee experience. The way that we prepare and brew coffee in there is pretty special. We have a Black Eagle machine, a Siphon — which is a Harry-Potter-like brew, — a Nitro brew, which means we can offer our customers cold brews on tap. The building itself was an existing building with a beautiful white terrazzo floor which happened to be in the same color range as our flagship store, The Roastery, in Seattle. So we preserved and resurfaced that, kept the existing brick walls and also commissioned some hand-drawn custom maps and artwork from a great artist called Tommy Tailor that I’ve collaborated with over the years.
What does the Starbucks design workflow look like?
Once we’ve found a building that can functionally hold a Starbucks store, we create a functional layout, that then develops into the first detailed floor plan. If this proposal gets the green light from our operations team, then we kick off the interior design work in SketchUp. Here we test out ideas for the bar, the lighting, and store palette. Doing this in SketchUp makes it feel like we’re working with clay: a lot of ideas can be tried out very quickly. The speed this affords us means we can rapidly visualize ideas, identify the ones we like and build on them as the design progresses.
What’s the one functionality you’re glad SketchUp has?
Without a doubt, it would be Style Builder. The way that we can tweak the default style to achieve a hand-drawn, warm, and not-too-perfect finish helps us to aptly portray a range of design aesthetics across our stores.
Rapid fire tech Q&A with Eduardo Meza, LEED AP and Senior Designer at Starbucks’ Miami Studio
1. We noticed that your team uses an impressive selection of materials. Where do you find and curate materials?
The most commonly used materials had been created from photos and scans of our standard catalog.
2. Do all teams have a separate materials library? Or do you share your materials between offices?
The Miami studio created a library with our standard materials and this is a library that we shared with other Starbucks Studios. Materials outside of our Standard palette are custom made per project.
3. Do you or anyone on your team use any SketchUp extensions within your workflow? If yes, could you tell us your top three?
4. What keyboard shortcut could you not live without?
Shortcuts are a must for my workflow. Here my favorite and most frequently used custom shortcuts: M = Materials, C = Components, L= Layers.
10 Waverly Place, Brookfield Place and Broadway & 9th reserve bars have just opened across Manhattan. Pop by to see how these SketchUp visuals became a reality.
https://aeco.space/wp-content/uploads/2020/03/4.png460918Lalka Nikolovahttps://aeco.space/wp-content/uploads/2018/12/3d_aeco-TRANSP.pngLalka Nikolova2020-03-02 06:55:312020-04-08 19:57:16Design at Starbucks: Brewing the right stuff
Leading architecture and interior design firm, balbek bureau, was chosen to design an entirely new space for one of Grammarly’s largest offices. This large, forward-thinking corporate space is located in Kyiv, Ukraine and hosts 150 employees. We connected with the lead designer, Andrii to discuss the details, challenges, and why they chose SketchUp for this project.
Give us some background on you, your team, and the types of projects you work on.
I graduated from the Kyiv National University of Construction and Architecture where I earned my architecture degree. After that, I started working at balbek bureau as an architect. balbek bureau works on various types of projects. However, we prefer the corporate and commercial sector; though, we are not limited to a particular type of building or a specific style. In line with this scope of work, we recently completed the new Grammarly office in Kyiv.
Our design team consists of 40 people, including architects, designers, visualizers, and project managers. We work in creative teams where there is a team lead architect, architects, designers, and a project manager. In general, each team consists of three to ten people. Because balbek bureau provides interior design services for a wide range of industries, the creative teams are formed according to the specific type or style of the project. For example hotels, large office spaces, medium-sized offices, cinemas, gas stations, beauty salons, showrooms, “adaptive reuse”, and restoration projects.
For those who are not familiar with Grammarly, who are they and what do they do?
Grammarly is a global company with offices in San Francisco, New York, and Kyiv. They operate 24/7 and are used as a digital writing assistant by millions of people across the world. Grammarly uses a plethora of IT devices and utilizes a high volume of communication and data exchange, both within individual and group settings.
What was the reasoning behind building a new Grammarly office? And did they have any requirements?
The Grammarly Kyiv team has grown significantly over the years and in 2016, they had outgrown their space. They needed to move to a larger space to accommodate all of their employees and operations. With that, Grammarly required a variety of spaces for different activities, including:
A large conference hall with a seating capacity for 150 people
Multiple, smaller meeting rooms equipped with quality audio and video technology for conferences across the globe
Soundproof recreation room
Canteen for employees
Several lounge zones
Other requirements included eco-friendly materials, a warm color palette with a homely feel for the interiors, and adaptability and flexibility of the space. Our team was responsible for the location of the office, office layout, interior concept, and all of the furniture, fixtures, and equipment.
Did you have to create different iterations of the design? If so, how did you do this with such a large number of requirements?
Above all, designers are artists. For this reason, we developed only one design proposal, taking into account all of the above requirements. After that, the clients provided feedback on the design and requested changes. We made the requested changes, where it was needed, but in general, we didn’t create a range of design solutions, only some layout variations.
What was your design process for the Grammarly office?
We started by choosing a location for the new office. We had to choose between five different locations with seemingly different layouts. The winner was Gulliver business center in the city center. Since we didn’t have much time for the design project, the decision was to do all visualizations using SketchUp only, not using 3DS Max, as we normally do. We saved about three to four weeks using 3D models to get approval on the design with the Grammarly team.
After that, the design project was delivered in short terms for all engineering work. While choosing furniture and decorative materials, we were also checking all engineers’ layouts and drawings with accordance to our design project. The construction phase lasted for about one year.
Did you run into any challenges? If so, what were they?
Yes, the design was very unique to the space, so we encountered many challenges that we worked through including creating an open working environment with two levels, a suspension bridge, a nap room, and incorporating natural light and other elements to create a work-friendly environment.
The original office area consisted of only one level and a mezzanine of 300 sq. m. To use the space at its maximum, we divided the office area into levels with a suspension bridge and connected it to an open staircase. We also expanded the mezzanine area up to 450 sq. m. This created a siloed work environment for employees. After meeting with the Grammarly team and understanding their needs, our layout idea was to have a meet-up zone on the ground floor where everything would be centered around and would make employee interaction a focal point. The meet-up zone was essentially the “heart” of the office and had six open-plan working zones surrounding it with soundproofing for privacy. We had to make sure this separated the working spaces but also allowed for a sense of “openness”. To do that we developed a radial curve to separate the working areas, and connected the first and second floor with an open staircase.
The nap room was another new design element for the building. This room had to be quiet and comfortable so employees could rest, relax, and recharge. We designed a space for three napping blocks. Each block had dark curtains to block out any light and a sensor under the mattress that would alert people if the room was occupied so people would not interrupt.
Another tricky area was incorporating the suspension bridge. The length of the bridge is ninety meters, it loops around the office in a gentle curve, overlooking the entire office and expands slightly to accommodate rooms in its path. The bridge has no ground support, it is merely suspended from the ceiling. In order to keep the thickness of the bridge to a minimum, we passed the sprinkler system pipes under the main floor, and incorporated their fragments into the body of the bridge, blending them with the bridge’s structural elements.
Other challenges included the use of eco-friendly materials. We had to creatively think of ways to reuse these materials throughout the office space. This also included a natural light requirement to help create a positive work-life balance for the employees and contribute to a higher level of comfort and efficiency.
For the natural light requirement, how did you know how much natural light would help with comfort? Did you analyze this?
Guided by the knowledge of the environmental design code of urban commercial buildings, a perimeter depth of 6m, or twice the floor-to-ceiling height, can be potentially daylit. Thus, the buildings deeper than 12m require more artificial light. The Grammarly office in Kyiv is 8.8 m, respectively; therefore, we placed the working areas closer to the source of natural light and the auxiliary rooms deeper into the office where they were supplemented with additional lighting.
Why did you choose SketchUp to design the Grammarly office?
We chose SketchUp due to the ease of use and speed. This project was under tight deadlines and we needed a tool that would allow us to work fast. Normally we would incorporate 3DS Max, but there was no time to do that. So we created everything in SketchUp—from the original design to the nitty-gritty details including textures.
What was your workflow in SketchUp?
First, we started designing the 3D models using measurements on site. After some work on the design construction, we moved onto smaller things like incorporating furniture, lighting, and textures. To save time, we used models from 3D Warehouse or from manufacturers’ websites. Our favorite part was the presentation of the model. We used cameras and scenes to showcase funny things, like a birthday cake in a table drawer. Also, we did not use any extensions. This was all native in SketchUp.
What are some benefits of using SketchUp in a corporate architectural project like Grammarly?
SketchUp allows you to work with a big, complicated model in one file, not dividing it to smaller ones. I also like SketchUp Viewer because we can easily present our designs to clients on their laptops.
How did you manage the SketchUp model size and performance with such a large file?
Actually, it wasn’t a big deal. We kept everything in one model because the office had an open-plan layout. Based on this spatial concept, there were a minimum number of polygons, and all the interior details were in the separate files. The invisible elements weren’t included in the general SketchUp model.
How did team members collaborate on the same model? Were there challenges?
I worked on the general SketchUp model and assisting team members helped with the detailed objects in the separate files. It made our workflow easy and very efficient which helped with the tight deadlines we were under.
Have you used SketchUp in any other projects? If so, what were they?
Yes, we use Sketch Up in most of our projects. The latest include:
https://aeco.space/wp-content/uploads/2020/02/5.png460918Lalka Nikolovahttps://aeco.space/wp-content/uploads/2018/12/3d_aeco-TRANSP.pngLalka Nikolova2020-02-24 11:06:142020-04-08 20:01:14From furniture and fixtures to tech-savvy workspaces: See the Grammarly office in Kyiv
The waiting is over as new SketchUp Pro 2020 is already here. The new version is all functioning and officially available since January 28th. So let us dive deep and see what software improvements are hidden there.
Over the years, each SketchUp version has become more convenient to work with. Innovations are the result of numerous surveys conducted among a large number of users – interior designers, architects and landscape architects. Compared to last year’s versions, the number of improvements may at first seem small, however, their performance is high and will benefit enourmously your workflow. So let’s start exploring.
The layers have a new name. Tags
We start with the first big change – the naming convention. No matter how hard you try, you won’t find the Layers tab on the Default tray. That is because they have a brand new name – Tags. By creating a new Tag, we can hide objects during work. You already know that heavy geometry is advisable to be hidden while modeling another object.
The improvements come with the addition of an extra button to hide grouped objects. This allows us to hide heavy models without even tagging them one by one. In this case, if we use a SketchUp rendering scene, it would be much easier to adjust the light, for example. After all our settings, we find easily the models and save a lot of time. Just tagging a grouped object creates a preview as hidden geometry is another enhancement to the Outliner.
Grips on Bounding Boxes
The most significant improvement is in the new facilities for moving objects. It has taken a long time to get to the point where our 3D model will stick. From now on we will do it smoothly and easier than ever. Thanks to the bonding points of the bounding boxes, when you press the down arrow, all points appear without approaching them. Even if we select a point on the back of the model, it automatically enters X-ray mode. This allows us to move it without turning the camera. Smart, right?
Hidden Geometry & Hidden Objects
The new version of SketchUp Pro 2020 already has a way of seeing hidden geometry only on objects in a scene. So far, each of the hidden objects has only appeared in the scene when you hide the geometry. This innovation takes SketchUp to the next level.
LayOut is one of the best ways to make technical drawings on your project since it loads your SketchUp file. Choosing a template will add an interesting presentation. As we know, by now we had to manually hide objects from the work window. Well, this is over. Here comes the improvement that we already called Tags and easily hide tagged objects here.
https://aeco.space/wp-content/uploads/2020/02/Hero-image-scaled.jpg14962560Lalka Nikolovahttps://aeco.space/wp-content/uploads/2018/12/3d_aeco-TRANSP.pngLalka Nikolova2020-02-19 12:31:482020-02-20 09:38:59What is NEW in SketchUp Pro 2020
Ivan Borov got the 3D bug at fourteen when he collaborated with a friend on a project using SketchUp and Google Earth. He was fascinated by SketchUp’s accessibility and technology as a whole. Whilst studying interior design in Milan, a short film submission that combined his love for graphic design, video, and photo editing won him a scholarship.
During an internship at a large showroom in Milan, he realized colleagues were still drawing only in 2D. Keen to help transform the way they worked and improve efficiency, Borov introduced the team to the world of spatial 3D design in SketchUp.
He returned to Bulgaria in 2012 and worked at a furniture firm for four years before establishing 3DEA, a dynamic commercial interior design firm that delivers branding, and turnkey workplace interiors.
Tell us a little bit about 3DEA and the work you do.
I started 3DEA after several years of post-study work experience in Milan and Bulgaria. I had built up a network of professional contacts whilst working at a furniture company so I had a smooth transition into serving them as an interior designer. We typically work on large and small scale companies, helping to express their ethos, brand and visual identity within their interiors. We also create expo and stand design and signage. SketchUp is our Swiss Army knife that equips us to do all these tasks at different scales consistently well.
SketchUp is our Swiss Army knife that equips us to do all these tasks at different scales consistently well.
A key theme that runs through our projects is the combination of good design and buildability.
We run a lean team, collaborating closely with other design professionals, particularly architectural studios, as required per project. We find that this multidisciplinary team offers greater expertise and gravitas for securing larger bids.
3DEA was a team of five for a long time until I became a father early this year. This major life event forced me to review my approach to work and to find a better balance. This meant switching from 12 – 15hr days at the office to being more selective about the projects we take on, and working healthier hours in a more flexible way. I believe that you produce better work when you have a balanced approach to life, work, and design.
SketchUp rendering of a workplace interior designed by 3DEA
What sets 3DEA apart from the competition?
Our key differentiator is that we try new things. We’re comfortable learning through trial and error because it means that we might forge new paths. Making mistakes beats repeating known solutions simply because ‘that’s the way it’s been done’ over many years. This was an issue at the showroom I worked at in Milan, some of the veteran architects were still using the same workflow they’d used since they left university. It can, of course, be hard to try something new and fail, but it’s worth it in the end because that’s how innovation is born and good work is done.
SketchUp renderings of a workplace interior designed by 3DEA
Where did you train?
I studied Interior Design at the Instituto Europeo di Design (IED) in Milan. The first year focused on laying a foundation in traditional drafting, in-person surveys of existing spaces, and hand drawing. The curriculum then progressed from 2D to 3D where we were taught a range of 3D programs. I found that SketchUp combines all the key functionality of the separate programs which helped me to save a lot of time and struggle. To be honest, I found it hard to learn some of the more complex software and was more keen to design and deliver than be hindered by technology. I could very simply model my design in SketchUp and then using LayOut, create my 2D technical drawings. I struggled at times when my files got too heavy and suffered a few crashes just before deadlines, but I learned how to model in a more nimble way, and I graduated successfully!
How important is it to ensure a workplace functions as well as it looks?
Balancing function and design is a fundamental requirement of any design task. The current trend of ‘Instagramable’ spaces tilts the focus of many designers of my generation to trends and fashionable design. Time has proven though that the appropriateness, usability, and resilience of a design is what ensures that it stands the test of time.
The appropriateness, usability, and resilience of design are what ensures that it stands the test of time.
Comparison of a SketchUp rendering and a post-construction photo of an interior elevation. Designed by 3DEA
How do you communicate the design decisions in your projects?
I’m inspired by Bjark Ingels’ approach to communication. Every project he creates has a clear story and a narrative that can be explained and understood by anyone. To achieve this same sort of clarity, we work to make our proposed solution visible to the client and end-users regardless of the project’s scale. We tend to incorporate a lot of pictures, sketches, real-life models, and 3D drawings, all of which we collate in LayOut. Each project poses different problems so we’ll leverage a different mix of media.
Annotated floor plan of the AECO Space project. Created using a SketchUp model and generated and annotated in LayOut.
You delivered an amazing workplace for AECO Space in Sofia, Bulgaria, tell us about this project?
Our brief for AECO Space was to design and deliver a functional and creative space for their staff and presentation and training areas that could stretch to fit a different number of software trainees. We had an airy space to work with; large windows, tall ceilings and lots of light. These lovely qualities posed a challenge. Whilst great for staff, these features proved problematic for their daily work, particularly training sessions and presentations hosted in-house.
Reflecting the AECO Space brand through color and material specification.
To create a more productive environment, we opted for blinds large enough to cover the expansive windows thereby addressing glare. This meant that we had to figure out how to securely hang the heavy blinds from the ceiling. The only catch was, we had suspended ceilings to counter the large floor-to-ceiling height! Using drawings and 3D models, we tested two visible and two hidden options. After consulting with the customer, we selected a hidden option that was then created and installed by a single contractor, saving us time and making the process much more efficient.
SketchUp renderings of a workplace interior designed by 3DEA
The original space was designed to house a bank so we inherited a formal granite floor that the client didn’t want. Fifteen to twenty percent of the budget had to be set aside to deliver the preferred flooring. Having a clear budget and roadmap for the entire project was essential to bringing in the project on time and within budget.
The as-built space is almost identical to your plans, how do you reach this level of accuracy during the design stage?
Delivering what we promised was easy because we employed a constructible workflow. By modeling the project with buildability in mind, we knew that we could deliver what we proposed, down to the electrical plan and the position of appliances.
Sectional elevation across the AECO Space office. Drawn using SketchUp Pro and compiled in LayOut.
It also meant that we could communicate the concept to the client with clarity, and deliver clear technical details to our contractors. Rendered, annotated and dimensioned drawings ensured that our tradesmen were able to install each element of the project easily. We did this with the bespoke floor tiles which had different colors and sizes, meaning that we could deliver clear drawings and ensure a smooth installation. We could also accurately calculate costs using takeoffs from our drawings and provide great guidance to our team.
Plan showing the floor grid, color, and positioning of AECO Space’s colored carpets.
Do you source real-world products to use in your proposals?
Yes, we source and specify real-world and bespoke items from a wide range of suppliers and contractors. On our project with AECO Space, we had about nineteen different contractors and subcontractors supplying fixtures, fittings, and electrics for a not-so-complex project! To get the best quality and price, and still meet deadlines, we’ve found that we need to work with the best.
Thankfully, we have a selection of companies that we work with and trust to deliver good quality work, on time and within budget. We curate and specify products from this pool.
In addition to this, we create bespoke pieces and import unique materials like Scandanavian moss from Finland which we used to create the six-meter-long lamp used in a project with AECO Space.
What is your current workflow in SketchUp?
During site analysis, we hand-draw a plotting survey that captures measurements that may become extremely important later in the design process.
Scaled and annotated 2D drawings created for the AECO Space project using SketchUp Pro & LayOut.
We also take lots of photographs. Back at the studio, we transcribe key details from the hand drawings and photos into 2D drawings in SketchUp. Once all amendments are done in 2D, we create our conceptual 3D models.
We generate images that the client can review, comment on and approve, and then we transition to technical 3D drawings and details, focusing on accuracy to ensure buildability. Our models are data-enriched because that helps us with estimation and specification.
Bespoke furniture details drawn by 3DEA for the AECO Space project.
Even without creating photorealistic renderings, SketchUp helps us to get the client excited about the concept. Then we focus on fascinating the client with the finished product.
When the client sets a tight budget, what tools do you use to estimate material and labor costs?
We pull area and linear measurements from SketchUp’s Entity Info tab into Excel and use formulas to provide quick estimates for projects. Our models are data-enriched so that when the budget, specification or price changes, updated results can be generated very quickly.
What are your most used SketchUp extensions?
Make Faces saves me a lot of time. CleanUp³ helps us remove unnecessary elements and materials to make models lighter and easier to work with. We find Fredo Tools really useful and Round Corners is great for details because it eases the pain of manually rounding corners. I must also mention DropGC, Add Center Point (which is native to SketchUp), Fredo Corner, Material Tools and Vray for rendering.
Photo of the AECO Space interior. Designed by 3DEA
Can you share the details of some of the projects that you are most proud of?
We designed a 3 x 1.4m all-in-one workstation with a metal structure for a 24/7 maritime surveillance tower which is in the Black Sea off the coast of Bulgaria. All the computers, equipment and wiring needed to be fully integrated within the metal structure. Solving the design problem was only a starting point. We needed to think through the delivery and installation logistics. Starting from a brief and one reference image shared by the client, we had six months to design, develop, and deliver the project.
Working drawings for a bespoke maritime workstation. Designed by 3DEA
SketchUp proved extremely important for figuring out if all the separate parts being made in Sofia would fit into the haulage truck before being assembled and then transported to Varna and Burgas. The desk’s home is similar to the leaning tower of Pisa and some of the pieces didn’t fit the elevator. This meant we had to simulate exactly how the desk would be positioned throughout the stairwell to eventually arrive in its final location at the top of the tower. This project was really tasking but satisfying to deliver and SketchUp was a great help from the beginning to the end of the project.
SketchUp was a great help from the beginning to the end of the project.
Another project highlight for me was designing and delivering our bespoke aluminum and oak veneer lamps across three floors of a new shopping mall in Bulgaria. We collaborated with a lighting manufacturer called Prisma to create three hundred of them with dimensions ranging from 50cm x 50cm, to 6 x 4m.
Photo showing 6m long bespoke lamps designed by 3DEA
This month, we’re taking a trip around the world to celebrate all the places your projects are taking shape. From Barcelona to Bangalore (and everywhere in between) SketchUp users create noteworthy designs, often influenced by their unique surroundings.We want you to share how your surroundings inspire your designs using #SketchUp_Global on social media for a chance to be featured. Here’s a round-up of our favourites.
First up, Diyar Aydoğan imagines a tranquil escape from the bustle of London, UK.
Soaking in the southern hospitality. Ten Over Studio creates this 3D animation to capture a unique meaning of “home” in Myrtle Beach, South Carolina, USA.
Nad Design transports us to this lush getaway on the coast of Indonesia.
Now that’s an office! We love this interior by Tacata Arts in Bangalore, India.
Up next: we’re highlighting Doddy Setiawan’s tropical home featuring gorgeous green accents, inside and out.
We’re wrapping up in Brazil with a bucket list kind of view from Marco Corrêa.
Thanks for joining our trip around the world! Remember to get involved using #SketchUp_Global. Stay tuned for our next design theme.
https://aeco.space/wp-content/uploads/2019/09/15.png460918Lalka Nikolovahttps://aeco.space/wp-content/uploads/2018/12/3d_aeco-TRANSP.pngLalka Nikolova2019-09-05 14:30:572020-04-09 06:43:56Around the World with SketchUp
https://aeco.space/wp-content/uploads/2019/09/26.png460918Lalka Nikolovahttps://aeco.space/wp-content/uploads/2018/12/3d_aeco-TRANSP.pngLalka Nikolova2019-03-27 10:29:302020-04-09 07:07:36What’s Fancy about V-Ray Next for SketchUp?
https://aeco.space/wp-content/uploads/2019/09/27.png460918Lalka Nikolovahttps://aeco.space/wp-content/uploads/2018/12/3d_aeco-TRANSP.pngLalka Nikolova2019-03-26 13:59:562020-04-09 07:08:40The Rise of SketchUp 2019: All That You Need to Know
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